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Written By Yan Zhang Published by Yvette Depaepe, the 7th of June 2024
"Machines will be capable, within twenty years, of doing any work a man can do.” ~Herbert A. Simon (1965)
In July 2023, I attended in an AI research forum. An Amazon researcher introduced to us several AI projects currently undertaken at Amazon. During the event, we had lunch together. When she learned that I was also a photographer, she bluntly said to me: "Midjourney ended photography!"his statement, her words present the view of many professionals engaged in the cutting-edge research on generative AI. In this article, from the perspectives of both as an AI scientist and as a professional photographer, I try to thoroughly explore the profound impact that generative AI is having on traditional photography; and how we, as photographers, should face it to this challenge. Next week: Part 6 Outlook - Photography will become more diversified.
The Ownership of AI Artworks
Nowadays, it is common knowledge that artists have the copyright to their own artworks, and photographers are no exception. But the emergence of generative AI has shaken people's commonsense.
Currently, there are two opposing attitudes regarding whether AI-generated artworks should have copyright protection.
The reason for opposition is that the artistic pictures generated by AI are not obtained through human creative activities, and (U.S.) copyright law clearly stipulates that only human can have ownership of an artwork.
On September 5, 2023, the U.S. Copyright Office rejected artist Jason M. Allen's application for copyright registration of his AI generated work Theatre D'opera Spatial.